A single run of dark oak and veined black marble, with every appliance and service absorbed into its length.
The kitchen, in sequence
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A single run of dark oak and veined black marble, with every appliance and service absorbed into its length. The kitchen reads as one considered object rather than a collection of units, and opens at its far end onto a quiet run of garden light.
03 chapters
The existing kitchen was a run of separate elements — units, island, appliance wall — each competing for attention. The brief asked for one considered object instead: a single material language carried from the back wall through to the island, with every appliance and service absorbed into its depth.
Nothing about the room's footprint changed. What changed was how many decisions the eye has to make when it enters.
Dark oak runs floor to ceiling, broken only by a single panel of veined black marble at the cooking wall — the one moment in the room where the material shifts, and therefore the one the eye is drawn to.
The island continues the oak in a lower, quieter register, so the marble wall stays the room's single event rather than one of several.
The run terminates at a full-height window dressed only in sheer linen, so the kitchen closes on a wash of garden light rather than another wall. Storage and circulation were planned to keep this view uninterrupted from the moment you enter the room.
